Ravenna, l'entrata del Museo Nazionale.
Ravenna, esterno del Museo archeologico Nazionale, visto da Via Galla Placidia.
Museums

Ravenna National Archaeological Museum

Its valuable collections will thrill you with unexpected details about the city’s glorious history

Ravenna, Museo archeologico Nazionale, sala con gli arredi marmorei da San Michele in Africisco.
Ravenna, Museo archeologico Nazionale, sala con gli arredi marmorei da San Michele in Africisco.
Ravenna, Museo archeologico Nazionale, sala del refettorio con gli affreschi staccati di Santa Chiara.
Ravenna, Museo archeologico Nazionale, sala del refettorio con gli affreschi staccati di Santa Chiara.

The halls of the museum display the historical evolution of Ravenna through archaeological finds and important artistic masterpieces. On display are valuable floor mosaics from lost churches and palaces and an extraordinary sinopia detached from the apse of the basilica of Sant’Apollinare in Classe.

History

It is housed inside the former convent of the basilica of San Vitale, which stands next to the splendid Basilica di San Vitale and to the Mausoleo di Galla Placidia. The first nucleus was born between 1877 and 1889 thanks to the sculptor Enrico Pazzi, who wanted to donate a modern Civic Museum to the city. It was initially formed by the many objects collected and preserved by the monks of Classe. From 1885 the museum became National, enriching itself with precious materials that emerged during numerous archaeological excavation campaigns or fortuitous discoveries. Since 1913 it has been in its present location. A visit to the National Museum will let you understand the splendor of the city over the centuries and discover unexpected details. Not only an entire cycle of detached frescoes from the 14th century by Pietro da Rimini–a shining example of 14th-century painting– but also Byzantine fabrics, valuable paintings, ivories, sculptures, terracotta, weapons, coins and a pharmacy. Unique are the ornamental marbles, the floor mosaic from the lost church of San Michele in Africisco (6th century) and a preparatory wall drawing in red pigment, the sinopia, detached from the apse of the basilica of Sant’Apollinare in Classe in the 1970s. A section of the museum itinerary is dedicated to contemporary mosaics, in which many works are donated by important artists as Felice Nittolo, Marco De Luca, CaCO3, Sara Vasini and others artists.

Must-see mosaics in this place

Angel head from San Vitale


This fragment of an angel’s head was detached in 1885 from the vault of the presbytery of San Vitale because it was unsafe. We thus have the opportunity to see at close quarters how the mosaicists of the Justinian age created the faces. The tesserae are aligned in large fields: the white facial tesserae, the result of a medieval restoration, interpenetrate with the reddish terracotta tesserae to define the skin and volumes. The hairstyle is defined by dark tesserae, as are the facial features, the eyes and the shadows of the nose. The homogeneous green background, which touches the red outline of the halo, composed of golden tesserae, makes the whole look graphic and somewhat flat. This is not a lack of skill: Byzantine art wanted to express concepts, not imitate reality.
Ravenna, Museo Nazionale, frammento di testa d'angelo da San Vitale.

Pavemental mosaic from San Michele in Africisco

There are many missed churches in Ravenna. Unfortunately San Michele in Africisco, built in the 6th century, is one of them: the walls of the apse are still visible inside a shop in Piazza Andrea Costa. The three-nave interior was adorned with wall mosaics which, due to various vicissitudes, are now divided between Berlin, Torcello and London. In an excavation campaign, this delicate and refined floor mosaic emerged. The effect is that of a precious geometric carpet. It is made up of rows of tesserae arranged obliquely creating grids, within which are inserted simple diamond shapes or delicate stylised flowers. The frame features lotus flowers. The calyxes, arranged in alternating rhythms, obverse and reverse, stand out against a dark background and their petals are green and red, delicately fading to white.
Ravenna, Museo Arcivescovile, mosaico pavimentale da San Michele in Africisco.

Sinopia from Sant’Apollinare in Classe

In antiquity, the practical execution of mosaic cycles was divided between many figures. The pictor imaginarius, the creative person who conceived and realised the design; the pictor parietarius, i.e. the painter who reproduced the images on the wall; and finally the magister musivarius, i.e. the mosaicist. Sometimes it happened that, during the course of the work, there were second thoughts and everything had to be reorganised. In Sant’Apollinare in Classe exactly this happened. This portion of a wall detached during the 1970-1976 restoration tells us so. Instead of the beautiful sheep that surround Sant’Apollinare today, the first version wanted peacocks and doves faced with vases. Sinopia refers to the preparatory drawing of a mosaic, or fresco, in red clay. It takes its name from Sinope, the city on the Black Sea from which the colouring powder was extracted.
Ravenna, Museo Nazionale, la sinopia trovata sotto il mosaico dell'abside di Sant'Apollinare in Classe.

Fragment of floor mosaic with lion’s head

In the so-called Palace of Theodoric, next to the church of Sant’Apollinare Nuovo, this fragment was found in the peristyle, i.e. the columned portico that ran outside the building. It is made of marble tesserae, stone and terracotta: resistant materials, good for being walked on. We discover the volumes of the feline’s snout, and its fluffy mane, by following the patterns of the tesserae: linear for the contours, in concentric circles to suggest the ears and the rounding of the jaw. The shadows are drawn by isolated rows of black tiles, while the mane, struck by light, is defined by ochre-coloured tesserae.
Ravenna, Museo Nazionale, frammento di mosaico con testa di leone proveniente dal palazzo di Teodorico.

Info & tickets

Via San Vitale, 17, 48121 Ravenna RA

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Entrance Fee

Ticket: € 6
Concession*: € 2
* Valid for persons aged between 18 and 25 years old
Every first Sunday of the month admission to the monument is free.
Furthermore, also on February 7th, April 25th, June 2nd, July 23rd, August 30th, October 14th (Notte d’oro), November 4th and December 7th admission is free.

Combined ticket

> National Museum + Basilica of Sant’Apollinare in Classe + Mausoleum of Theoderic: €10.
The ticket can be purchased online or at the ticket office of all the museums and sites managed by Fondazione RavennAntica.

Booking

Il biglietto è acquistabile online o presso le biglietterie di tutti i musei e le aree gestiste dalla Fondazione RavennAntica

Free of charge

Ogni prima domenica del mese l’ingresso al museo è gratuito.
Inoltre, anche il 7 febbraio, 25 aprile, 2 giugno, 23 luglio, 30 agosto, 14 ottobre (Notte d’Oro), 4 novembre e 7 dicembre l’accesso è gratuito.
Sono, inoltre, previste ulteriori agevolazioni per l’ingresso.

Ravenna, due persone ammirano un mosaico al Mar, Museo d'Arte della città di Ravenna.
Mosaic places

Explore the other Museums of Ravenna